Utagawa Hiroshige comes to mind when talking about the 53 Stations of the Tōkaidō, but Katsushika Hokusai also worked on a large number of the motif 30 years earlier, which stood out from those of other painters of the era. Unlike Hiroshige, who mainly painted landscapes, Hokusai painted small, detailed depictions of the customs of the land. In this exhibition, we’ll be unveiling the precious Shunkyō Go Jū San-Da no Uchi, shozuri*set from Hokusai’s 53 Stations of the Tōkaidō series (with half being exhibited in the first period and the other half in the second period). We introduce the many aspects of the world of Hokusai’s 53 Stations, with exhibitions on every series, topic, and more. Succumb to the charm of Hokusai’s unique 53 Stations of the Tōkaidō series in an exhibition made up of five distinct elements.
*Shozuri:
The word defines as first editions in modern publishing, and are the best condition woodblock prints, with finely carved detailed expressions. The intentions of the original artist are thus best reflected in terms of color, among other factors.